Day 7. A Sunday, and the Barbican's huge conservatory is open. It's the second largest in London, next to Kew Gardens. Here is the typical fashion photoshoot that takes place all over the Barbican, now that it has become a fashionable Brutalist icon.
Barbican Cinema: Different trains 1947. Should have been premiered in Liverpool but in the end was only to be seen at the Barbican!**.
Day 8. London's Hidden Walks (volumes 1 & 2) by Stephen Millar are invaluable. This first walk took in Hoxton and the East End. We managed to cover nearly all the walks in the time we were there.
Day 9. Here we are in Chelsea at the Physic Garden. This garden has been here since 1673 when it was known as the Apothecaries Garden. It contains endless examples of record plants, e.g. the largest fruiting olive tree in Britain, the northernmost grapefruit growing outdoors. Most of the plants are of medicinal or pharmaceutical interest.
Purcell's King Arthur at the Barbican Hall, with Catrin and Olivia *****.
Day 10. Still in Chelsea (it takes more than a day to do some of these walks). This is the Ranelagh Gardens adjacent to Chelsea Royal Hospital, home of Chelsea Pensioners. In the eighteenth century it was a favourite meeting place for royalty and the aristocracy and allegedly the site of several royal assignations of a shady nature.
Day 13. I used to think that the gents' toilets in the Philharmonic Pub Liverpool deserved their reputation but these are in a different class: the Wesley Methodist Chapel and Museum, City Road.
Barbican Cinema: Last Days of the City by Tamar El Said ***.
Rhiannon also got the one return ticket for the sold-out McBeth by Japanese director Ninagawa and rates it the most exciting theatre performance she has seen for many years *****.
Day 16. Kew Gardens: The Hive. This extraordinary installation reproduces the interior of a bee hive. Lights and sounds are triggered in real time by the activity of bees in a real beehive in the gardens.
Day 17. Gasholder Park, King's Cross. The gasholder guideframes have dominated King’s Cross for over 150 years. The gasworks remained in use until the late 20th century before being decommissioned in 2000. Some of them form the exterior of a garden area, while some have, of course, been converted to luxury apartments. Starting prices (one-bedroom) £810000.
Sir John Soanes Museum, Lincoln's Inn Fields. The architect of the Bank of England; his house is uniquely converted to accommodate all his antiquarian and archaeological acquisitions.
Kings Place with Celia and Steph to see folk group Faustus *****.
Day 18. The residents of the adjacent Golden Lane Estate have gathered national support for their protest at the planned construction of a 10-storey high-rise block of luxury apartments immediately opposite their Grade II-listed building. It is alleged that the planned apartments, starting price £750000, are being advertised first in Hong Kong and that there is no social housing included in the scheme.
London Film Festival Oh Sun by Med Hondo (1970). Interesting reflection on how attitude to race has changed over 40 years ****.
Day 21. This new mural by Banksy appeared in the Barbican tunnel a week before we arrived. It coincided with the start of the exhibition of the work of the graffiti-inspired New York artist Jean-Michel Basquiat. The City of London authorities were in a dilemma, as all graffiti is normally painted over immediately. They covered it in perspex.
London Film Festival Lucia by Humberto Solas. Strange Cuban film from 1968 ***.
Day 23. St. Bartholomew the Great, with the Barbican Towers peering over its shoulder. The church, unlike most City churches, escaped the Great Fire of London and so is the oldest surviving church in the City, being founded in 1123. It is in fact only half of its original size as the nave was removed in the 16th century when the adjacent monastery was dissolved. Part of the Farringdon Walk.
Day 31. The Thames walks continue, with Tower Bridge always in view.
The Ferryman by Jez Butterworth at the Gielgud Theatre *****. Excellent performance.
Guardian lecture seminar on How to Fix the Housing Crisis. Rare opportunity to attend a Guardiam members' event, which are nearly all held in London.
Day 37. A visit to the Royal Institute of British Architects exhibition Pseudo-Georgian London by Pablo Bronstein. The brilliant accompanying book, with the same title, highlights the worst of new London volume-built domestic architecture. My idea of fun to spot the buildings shown in the drawings.
Day 42. Farther west on the South side of the river: the factory and showroom of my grandfather's employer, Doulton. The entire facade of the showroom building is decorated in the recognisable style of Doulton pottery. Part of the Lambeth and Vauxhall Walk that took in the site of Blake's Lambeth House and Vauxhall Gardens.
Day 45. The City of London Museum is part of the Barbican complex. Set aside at least two days to visit it. Although it's one of the finest museums I have been in, it is about to be rebuilt to make way for the new £250 million privately funded concert hall on the site.
This is a map of London before the Great Fire and its complete re-design.
Planning issues never cease to cause controversy. An evening lecture Conservation in the Eye of the Media: Mansion House Square Revisited. A re-screening of the 1985 BBC Omnibus programme on the proposal to erect the Peter Palumbo Mies van der Rohe building in Mansion House Square. Some of the original participants in the discussion were present. Fascinating that the same site is still causing debate.
Day 46. Just round the corner are the remains of the London wall, which surrounded the City until the eighteenth century when it was no longer required. The wall, in turn, used some of the structure of the original Roman wall and forts that existed from the time of the Roman occupation until they left in around 200 AD.
Day 48. Canonbury and the Estorick Gallery, which has permanent and touring exhibitions of Italian art. This is Tony Cragg's Runner from 1985. The works in this exhibition are all inspired by the influential Italian Arte Povera movement that produced artworks from cheap, everyday materials. Great coffee shop too.
Slaves of Solitude by Nicholas Wright at Hampstead Theatre ****.
Day 51. Outside the Crossbones Burial Yard, Southwark. This was a burial ground for paupers and for the prostitutes and sex workers of Southwark These women were excluded from Chrisian burial, even although their trade was in fact licensed by the Bishop of Winchester, who owned the surrounding land. The railings of the site are permanently decorated with flowers and messages that reflect a sympathy for the forgotten people of that part of the city and also a form of protest that the common man or woman may be overlooked in the frantic commercial development that continues to take place (note the Shard in the background).
Day 52. A day with David and Tricky exploring the new architecture of the City and a superb meal at the Swedish smokehouse restaurant Rok in Shoreditch.
Day 55. New artworks in the Lisson Gallery, The Strand, a disused warehouse converted to an art and sculpture space. This is wallpaper by Ai Weiwei.
One-day course at Bishopsgate Institute on the re-development of London after the Second World War. Interesting to look at original publications of the time **.
Day 73. A visit to Horace Walpole's Strawberry Hill House in Twickenham. Earliest Gothic revival domestic architecture in England.
Day 80. First chance to see Simon Rattle and the LSO in the Barbican. Rhiannon was keen on the second half of the concert (Mahler), while I preferred the first half (Strauss); so we shared a ticket and changed over at the interval.
In the afternoon, The Tin Drum and adaptation of the Gunther Grass novel by Kneehigh Theatre at Shoreditch Town Hall * (left at the interval, sorry!).
Day 81. A Scandinavian theme in various galleries. Here we discover the work of Akseli Gallen-Kallela, who obsessively produced images of the Finnish lake Keitele. This was at the National Gallery, but we also came across more of his work and that of his Scandinavian contemporaries in other .galleries in St. James's.
And a lovely lunch, courtesy off Peter Bailey at the Chelsea Arts Club.